• bottes fr
  • Google adword can let you on the analysis of how to use accurate keyword query the results you want, like lebron11 the word, you can get through the Google search words.And you use kdvi results than retrojordan search to a more accurate.




    Please visit our Advertisers--They keep ARTtalk.com free for you!! Click here for our most recent issue of ARTtalk! ARTtalk acrchived issues! Get your Art Books here!! Monthly Art Tips from ARTtalk! Keep up-to-date with Art News!
    Links to many art related sites! Featured Artists, Art Galleries, Art Organizations, Art Search Engines & Art Magazines! Art History -- Read about the greats!! Really cool Airbrush Workshops!! Sign up for one today!! An eclectic collection of Art Materials! Lots of e-shops with excellent products!!
    Drop us an e-line. Let us know what you desire! Art Materials Retailers in the USA and Canada! Place your ad on our site!! We have lots of readers!! Travel through the web on a ring!!

    ARTtalk  Each month you’ll find informative articles that deal with a variety of subjects such as artists and art history, current events and art world news, schools, competitions and workshops, and a Kids?Korner. Subjects vary each month. art supplies, airbrushing, drawing, painting, printmaking, sculpture, ceramics, matting and framing, arts and crafts, and more. These explain various techniques—how to work and paint with artist's watercolor on paper, oils or acrylics on artist canvas; how to use pastels, pencils or  pen and ink; how to work with different surfaces grounds; how to paint with the airbrush and compatible materials; the use of projectors and light boxes in your work and more. You’ll also find artists information on magazines, art books. (Established 1990)

    ARTtalk Cybercopy - posted Oct. 1, 2015

    (ARTtalk’s latest cybercopy is posted on the 1st of every month.)


    Click Here for the New Monthly Issue of ARTtalk Local Beacon, N.Y.




    One of the year's most popular events returns!

    Inspired by Gates of the Lord: The Tradition of Krishna Paintings, this November’s Family Festival focuses on two autumn celebrations from India—the Gujarati festival Sharad Navratri, and Diwali, a celebration of harvest and light.

    Bring your loved ones and jump into dance performances, enjoy storytelling in the galleries, and explore the colorful art-making traditions of India! You won’t want to miss this fun-filled day.

    Family Festival

    Saturday, November 21
    Drop in 10:30–3:00
    Free for all ages
    Ryan Education Center



    Airbrush History Trivia

    —Abner Peeler, of Webster City, IA, invented the airbrush in 1878.  Imagine, over 130 years ago!  Abner, a professional inventor who tinkered with things such as screw machines, bicycles and typewriters, developed this painting tool—originally called a “paint distributor”—specifically for photographic retouching.  The paint distributor, which was similar to today’s oscillating internal-mix airbrush, had a wooden handle with metal parts and sold for the incredible price of $10.  The first such airbrush was sold to S. M. Thomas, and we know that the first painting completed with this paint distributor was a self-portrait of Peeler himself done by his wife on an enlarged photograph.

    The painter Man Ray (1890-1977) is probably the first fine artist to exhibit paintings done exclusively with the airbrush.  Ray, considered the only American Dadaist, learned to use the airbrush while working in an ad agency in New York City between 1917 and 1919.  His fine art airbrush renderings were shown in NYC galleries and called “aerographs.?nbsp; Looking at them with today’s standards of what we consider airbrush painting, these works of art would be considered simplistic—but at that time, totally new.  They consisted of images developed by airbrushing around found objects, such as paper cutouts, tools and paper clips that were used simply as stencils.  Man Ray worked flat on a table, allowing gravity to hold the stencils in place, and sprayed around them with black ink.  He repeated these images in both opaque and transparent ink and the end products lent themselves to the look of cubism

    .It is said that Man Ray was primarily interested in producing paintings with a smooth machine-like finish.  And because the ink was airbrushed onto the surface, there were no brush strokes in the artwork, which imparted an industrial appearance.  An excellent collection of his works is held by and exhibited at The Art Institute of Chicago; and even viewed today, their simplicity is astoundingly modern.


    Artist Profile

    Pablo Ruiz Picasso 1881 - 1972

    There is much that could be written about Pablo Picasso, arguably the greatest artist of the His influence on several generations of artists and his recognition as the founder of many art periods, most famously that of cubism, attests to his immersion in creativity. For 80 years of the 91 he lived, he devoted himself to an artistic production that contributed to development of modern art of the 20th century. And, all the while, Picasso was a man who loved women. During his life he had affairs, lived with or married over six women and fathered four children. He abhorred being alone when he was not working.

    Aside from the tumultuous personal life, Picasso was devoted to his art. During his early years he abandoned most of the classical training given him by his father and first instructor for his own interpretation of the world around him. Five “periods?are recognized as brought to life by Picasso.

    Most have heard of his Blue Period that lasted from 1901 to 1904 in which somber, blue tinted paintings prevailed. These were influenced by the loss of a friend. Images of this period include depictions of acrobats, prostitutes, beggars and artists.

    His Rose Period (1905 to 1907) brought out paintings with overall tones of orange and pink, many involving images of harlequins. During this period he was seriously romantically involved and the warmth of the relationship is seen in his palette of colors.

    Soon after the Rose Period came an African Period (1907 to 1909) that was influenced by artifacts from his personal collection. Many paintings of this period repeat the use of two figures.

    Cubism, the style for which Picasso is most famous, came into being when he and his friend and painter Braque challenged each other to dissect and “analyze?objects, then paint them in terms of their shapes. Color played a large part in this period of work ?monochromatic browns and shadow tones prevailed as a common thread. Each artist developed the style in his own way and each had strong similarities.

    His Cubist Period ran from 1909 to 1919, and included the use of collage as a fine art form. Heretofore, no artist had used collage and cut paper to convey images. Imagine art without collage?

    Picasso had many artist friends and some rivals. Matisse was one of the “gentle?rivalries experienced in Picasso’s lifetime. Both were strong, talented and seemed to challenge one another. A recent collection of works by both artists reveals they had a lot in common, although their styles were personal and not derivative. The bold, outlined and highly decorative nature of both artists' works is without question.

    Historically, a lot happened during the 90+ years Picasso lived, but he remained detached from any personal commitment. He was a proclaimed pacifist, refusing to fight for any side in the Spanish American War, World War I or World War II. If was thought by many of his contemporaries that his dislike of war and his unwillingness to fight was less political and more cowardice. Being Spanish but living in France during these conflicts, he escaped involvement and thus proclaimed and solidified his pacifistic standing. He did, however, remain a member of the Communist Party until his death.

    At the time of his death, Picasso had enjoyed wide acceptance as the greatest artist of his time. Many of his works were recognized within his lifetime. Some include The Old Guitarist from Picasso’s Blue Period, on display at the Museum of Modern Art; Las Meninas Series, on display at the Picasso Museum in Barcelona, Spain; and Guernica, in Madrid, Spain.

    “My mother said to me, ‘If you are a soldier, you will become a general. If you are a monk, you will become the Pope.? Instead, I was a painter, and became Picasso.?- Pablo Ruiz Picasso. Last words: “Drink to me.?






  • jordan 5
  • jordan 6
  • soldier 8
  • iwata logo   artool logo



    General's Art Press




    ART in Beacon NY




    AIRbrush Talk.com



    Basic Airbrush Techniques




    Robert Paschal, MFA

    Basic Airbrush Workshop—Beacon, NY   Learn the fundamentals of airbrush technique in a concise 3-hour hands-on class, designed for the novice who wishes to paint fine art, crafts, signs, customized autos/bikes/snowboards and myriad other objects.  Seating is limited.  All equipment/materials are provided. 845.831.1043; arttalk.com/workshop/workshop.htm 




    Cabin Rental

    Camp Cōkaboodie in the Adirondacks Mts. Jerry Savarie Road (off Big Brook Road) Indian Lake, NY       We are located on Lake Abanakee with beautiful views and sunsets!









    Recommend all work at kobe 9,With the development of modern society, more and more people to pay more attention to body health, through outdoor sports, to increase their own health choose Jordan 11 gamma let oneself more convenient movement, or use Lebron 12 is also a good choice. ARTtalk Local Beacon, N.Y.

    ARTPOURRI—NEWS-- Nov. 2015


    Awards Winners Chosen—Among the five winners of this year’s Praemium Imperiale arts awards (presented by the Japan Art Association) are Tadanori Yokoo, Japan, for Painting, and Wolfgang Laib, Germany, for Sculpture.  Five awards of approximately $122,000 are given annually in fields not covered by the Nobel Prize.

    Artist Named-The Armory Show has announced that Kapwani Kiwanga will be the commissioned artist for 2016 (March 3-6, NYC).  Kiwanga will inform the visual identity of the fair by contributing to the design of the official fair catalogue, realizing an on-site commissioned project and producing a limited edition artwork with proceeds benefitting MoMA.

    Online Feature Launched-The Met Museum has launched #MetKids, a feature on the Met’s  website made for, with, and by kids.  Developed for 7-12 year olds, it has 40 videos and more than 125 featured

    objects, fun facts and project ideas drawn from across the Met’s collection and accompanied by kid-friendly prompts.

    Landscape Winners Chosen-The American Society of Landscape Architects has announced its 34 professional award recipients, selected from 459 entries.  In the General Design Category, the Award of Excellence went to At the Hudson’s Edge:  Beacon’s Long Dock as a Resilient Riverfront Park, Beacon, NY by Reed Hilderbrand LLC for the Scenic Hudson Land Trust; and The Landmark Award went to the Art Institute of Chicago South Garden by Dan Kiley, Chicago.

    New Installation Open—In honor of its 35th anniversary, the Gracie Mansion Conservancy has launched a new art installation at Gracie Mansion titled “Windows on the City:  Looking out at Gracie’s New York.”  Forty-nine new works focus on the late Colonial, Revolutionary and Federal Periods.  Gracie Mansion is the official residence of the Mayor of NYC.

    Artist Selected—The Met Museum has announced that British artist Cornelia Parker has been selected to create a site-specific installation atop the Met’s Roof Garden on view from May—Oct. 2016, the fourth in a series of site-specific commissions for the outdoor space.

    Acquisition Made-George Caleb Bingham’s The Jolly Flatboatmen (1846) is considered one of the greatest American genre paintings ever made.  Recently purchased by the NGA, it will hang in the American Galleries with genre paintings recently acquired from the former Corcoran Gallery of Art.

    List Revealed—The Guggenheim has announced the short list for the biennial Hugo Boss Prize.  Included among the five artists are Ralph Lemon of Cincinnati and Laura Owens of Euclid, OH.

    Excellence Awarded-The Bard Center For Curatorial Studies, Bard College, has announced that Thelma Golden is the recipient of the 2016 Audrey Irmas Award for Curatorial Excellence.  She has served as Director/Chief Curator of The Studio Museum in Harlem since 2005.

    Auction News-Swann’s Icons & Images:  Fine & Vernacular Photographs had a strong showing for female photographers.  Three of the top ten lots were powerful works of portraiture by women, including the top lot, Sally Mann’s Candy Cigarette at $215,000. 



    Love a Vet, Nov. 7-Jan. 5, Norman Rockwell Museum, Stockbridge, MA.  This special exhibition honors the sacrifices of veterans, calling attention to the struggles that many face upon their re-entry into civilian life, through original paintings, drawings and prints.  nrm.org

    Peekskill Project 6, thru Dec. 31, Hudson Valley Center for Contemporary Art, public parks, industrial spaces and storefronts in Peekskill, NY.  Featured is an exciting variety of sculpture, photography, installation, video and performance art by approximately 60 international and local artists.  artalongthehudson.com

    Isamu Noguchi at Brooklyn Botanic Garden, through Dec. 13.  Included are 18 works from the Museum’s permanent collection ranging from the mid ‘40s to the mid ‘80s, sited throughout BBG’s outdoor and indoor public gardens.  bbb.org

    Art+Science, thru Nov. 28, Ann Street Gallery, Newburgh, NY.  Highlighted are the innovative work of 17 artists and scientists from around the globe integrating methodologies and concepts borrowed from science into their artwork.  annstreetgallery.org

    Richard Pousette-Dart: 1930s, thru Dec. 20, The Drawing Center, NYC.  On view are approximately 80 works, including drawings, notebooks and brasses.




    Portfolio Day, Nov. 6, 4-8pm, Henry A. Wallace Center, FDR Presidential Library and Home, Hyde Park, NY, sponsored by Mill Street Loft ARTS.  Here’s an opportunity for art students to meet with college reps from the most prestigious schools in our nation and have their portfolios reviewed.  Admission is free for all high school students, teachers and parents. millstreetloft.org/art-institute/portfolioday/


    WAS-H 2016 International Exhibition, March 8-31, Watercolor Art Society-Houston, TX, 39th annual exhibition.  Open to all artists; original work must be at least 80% watermedia on paper, Claybord or yupo.  Over $6,000 in awards.  Deadline:  Jan. 15.  watercolorhouston.org/Resources/Prospectus/2016%20Prospectus%20Final.pdf


    2016 Women in Art, Jan. 7-29, Las Laguna Gallery, Laguna Beach, CA.  Open to Women Only—all local, national and international artists, professional and amateur.  All mediums acceptable except jewelry and sculpture.  Deadline:  Dec. 15.  callforentry.org/festivals_unique_info.php?ID=2499&sortby=fair_name&apply=yes


    36th Annual College & High School Photography Contest sponsored by Photographer’s Forum Magazine.  Open to all college and high school students in the U.S., Canada and around the world; subject matter is open.  Winning photos will be published in the May issue and exhibited at Brooks Institute.  $10,000 in awards.  Deadline: Nov. 2; Final Deadline:  Dec. 4




    NOTE:  Schedules sometimes change, so please check in advance.

    IFPDA Print Fair, Nov. 4-8, Park Avenue Armory, 67th and Park, NYC.  Eighty-nine internationally renowned art dealers and contemporary publishers will be featured.  Print Week runs Nov. 2-8, with a lively schedule of lectures, exhibits, demos, gallery talks and openings focused on printmaking and its vitality as an artistic practice at member galleries, museums and non-profit organizations.  ifpda.org.

    Dutchess Handmade, Nov. 9-Dec. 24, Arts Mid-Hudson, 696 Dutchess Tpk., Suite F, Poughkeepsie, NY.  This Pop-Up Show offers items for collecting and gifting by artists and creators in the Mid-Hudson region, from functional ceramics and textiles to handmade soaps and jewelry—and much more.  artsmidhudson.org/events/dutchess-handmade/

    New York International Vintage Poster Fair, Nov. 14-15, NYC.  This fair will be a featured section of the Pier (94) Antiques Show and will feature over a dozen of the world’s finest dealers in original vintage posters.  posterfair.com

    3rd Annual American Fine Craft Show, Nov. 21-22, Brooklyn Museum (NY).  This 2-day event will present an extraordinary selection of handmade works in ceramics, jewelry, glass, furniture, wood, metal, mixed media and wearable and decorative fiber by 90 of the nation’s finest craft artists.  americanfinecraftshowbrooklyn.com/





    Painting How To

    Painting on a Grand Scale

    When artists gravitate towards large scale works, they face some interesting challenges along with the actual creative process. How art is created ?on a grand scale ?is different from small artworks. Every aspect of the act of mural painting and other large scale artwork has considerations that make it fun and stimulating - well worth those deliberations.

    From the very ground onto which the artist places sketch lines, brushes of paint and blended colors, large scale nudges the artist into new realms of production. In order to paint large scale, the preferred ground ?canvas of some sort ?must be acquired in an appropriate size. The content of the canvas and its weight are both vital considerations when the painted surface is gigantic.

    Widths/lengths and fiber content of canvas-type grounds vary greatly, but there are sizes as large as 12 feet wide. More commonly, large scale works are completed on canvas of 60? 72? or 84?widths. Roll length purchases are necessary and can vary by manufacturer ?from 6 feet to 25 yards.

    But, after width and length, the fiber content may be the single most important element of the painting. As you would expect, there is cotton fiber in a variety of weights, but there is also linen, jute, cotton/linen blends polyester (all synthetic) and cotton/poly blends and all can be found primed and unprimed. The weight and texture of the canvas will have an important bearing on the finished artwork, and most artists match their style with the texture and surface of their ground. Choices abound!

    Rather than traditionally sized tubes of paint, most muralists/large scale painters use jars, tubs ?even gallons of artists?colors. Most manufacturers of paint offer a wide selection in larger quantities. Selection of textures in those containers is also sometimes available. Thicker paint means more pigment for application and working into large spaces.

    Application tools include brushes for sure, but those used are much larger in size. Consider when doing any work—if the scale were huge, you would want to use larger brushes. And, additionally, rollers (like those used for wall painting) and trowels are also used in larger scale works ?tools that would be difficult to use small scale become a necessity for bigger works. Trowels, scrapers, and tools not often associated with “painterly?applications are used by muralists and accomplish the job they want. Painting pads and hand “mops?for decorative surfacing of walls can come in very handy on larger scale artworks.

    Easels play a big part in big works. Studio easels in both wood and metal often accept works as large as 5-8 feet tall. They help hold the work at the proper level ?that at which it will be viewed ?so the artist is always aware of the scope, perspective and dynamics of his/her work. Some artists who do large scale work cover a wall with plywood and then staple or tack their canvas to that surface at the proper level for work and viewing. Easels and wall attachments ?whatever they might be ?help artists by allowing them to step back and take in the “big picture.?For large stretched canvas, wall mounted easels are great. They can accommodate works of around 100 inches in height. They are sturdy, help hold the stretched canvas firmly and adjust to all points up to around 100 inches.

    And lastly some artists employ the use of airbrush to do a lot of the design layout and fill-in on large works. Texturing with an airbrush can be accomplished by painting through screening, metal mesh, decorative pierced metal sheeting and many more items. Airbrush gives the type of color gradation almost impossible to achieve in any other way. Mists of tone-on-tone and the softness achieved is a huge asset to some muralists.

    In review, large scale artworks bring new thought processes to ponder and hurdles to overcome.  But, isn’t that what contributes to making art so enjoyable and rewarding—to accept the intellectual stimulation of such works and to succeed.





    Printmaking Techniques & Materials

    No matter the level of your involvement with printmaking, it is sure to be exciting. In some techniques, duplication of results is nearly impossible, which seems a bit contradictory to the basic term: printmaking. Let’s take, for our first example, the most direct and simple of prints…monoprints. -->

    A monoprint (mono meaning one) is created by applying ink or paint to a hard flat surface (plate), pressing paper against the plate and lifting the paper from the plate. The resulting print is one-of-a-kind, since ink or paint would be nearly impossible to set in the same place time after time. Simple doesn’t mean uninteresting, and this is a great technique for any artist.

    Collagraph, a very simple form of printmaking, is a print created from a plate (Masonite, mat board, chip board, etc.) that has natural and/or found objects with texture glued to it. The surface of the plate is sealed and, when dry, is inked on the textured plate, excess removed and a paper placed on top. Downward pressure (using a press or hand roller) presses the paper and ink together and the images are transferred (in reverse) to the paper. Again, the simplicity of collagraph prints makes them easy for everyone to try. Many, but not unlimited, prints can be made from a master collagraph plate.

    Wood block (woodcut) printing advances in difficulty because the artist uses special gouges and carving tools to create a dimensional image in a wood block. The high surfaces of the wood block are inked, paper is pressed against the inked areas and the resulting image is a woodblock print. Surfaces other than wood can be used; linoleum, wax, and rubber are a few that are a bit easier to carve. Early wood block designs were used for fabric embellishment and those blocks endure as collectables.

    Reduction prints are created with care by print artists who desire more color and texture in their work. Each color is printed individually on the ever-decreasing wood block. Working from back to front colorwise, the artist reduces the wood block with every color, printing that part of the plate that will reflect a specific color, and then removing more mass to print the next color. When finished, the only areas that remain on the block are those representing the very last color.

    Drypoint etching is more involved because it starts with a metal plate. The plate is scribed (scratched) by the artist to record a subject. Ink is rubbed into the slight toothy grooves created by the scribing. Paper is then put on the plate, pressed and the resulting print is pulled away from the plate. For all but the tiniest of printed images, a printing press is invaluable in the process. Strong definition and evenness is difficult with hand pressing methods. Many prints can be made from the original plate. Etching can be taken yet another step by using acid to enlarge and remove areas of the metal surface.

    Intaglio prints are made from a metal base into which designs have been created. This is often done with harsh chemicals, the metal dissolving where there are scribed or etched lines that have been made through a protective covering. Because of the chemical contact (acids), this level of printmaking is considered advanced and should be done under supervision and instruction. Many prints can be made from the original plate. Ink is rubbed into the low areas, paper is pressed to the surface and a print is created.

    Finally, following is a simple explanation of some terms associated with printmaking:

    brayer - a hard rubber roller on a handle used to transfer ink to the plate.

    plate ?a surface on which an image is formed, usually metal.

    baren - a circular padded tool used to rub against the back of paper to obtain an image from a master.

    hard ground -an acid-resistant material applied to an etching plate through which you scribe to create a design.

    mordant - an acid or other corrosive substance used to “bite?into a metal plate to create an image on that plate.

    gouge ?a V- or U-shaped tool for cutting a wood or linoleum block.



  • bottes fr
  • Google adword can let you on the analysis of how to use accurate keyword query the results you want, like lebron11 the word, you can get through the Google search words.And you use kdvi results than retrojordan search to a more accurate.

  • 2014 jordan 3
  • Jordan cheap sale
  • Jordan fire red
  • Spanish