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    Please visit our Advertisers--They keep ARTtalk.com free for you!! Click here for our most recent issue of ARTtalk! ARTtalk acrchived issues! Get your Art Books here!! Monthly Art Tips from ARTtalk! Keep up-to-date with Art News!
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    ARTtalk  Each month you’ll find informative articles that deal with a variety of subjects such as artists and art history, current events and art world news, schools, competitions and workshops, and a Kids?Korner. Subjects vary each month. art supplies, airbrushing, drawing, painting, printmaking, sculpture, ceramics, matting and framing, arts and crafts, and more. These explain various techniques—how to work and paint with artist's watercolor on paper, oils or acrylics on artist canvas; how to use pastels, pencils or  pen and ink; how to work with different surfaces grounds; how to paint with the airbrush and compatible materials; the use of projectors and light boxes in your work and more. You’ll also find artists information on magazines, art books. (Established 1990)

    ARTtalk Cybercopy - posted May 1, 2015


    (ARTtalk’s latest cybercopy is posted on the 1st of every month.)

     

    Click Here for the New Monthly Issue of ARTtalk Local Beacon, N.Y.


    PRESS RELEASE
     
    http://parrishart.org/LandscapePleasures2015
    Buy your tickets now for the most anticipated garden event of the year—LANDSCAPE PLEASURES

    SYMPOSIUM
    Saturday, June 13
    Come hear landscape experts Cole Burrell, Luciano Giubbilei, and Janice Parker.
     

    GARDEN TOURS
    Sunday, June 14
    Tour five Wainscott and East Hampton estates, including the gardens of Jane and Michael DeFlorio, Toni Ross, and Robin and Fred Seegal.  
     

    SPECIAL COCKTAIL PARTY!
    Saturday evening, June 13
    Supporters at the Sponsor level and above will be invited for cocktails at the breathtaking Southampton garden and home of Marcia Riklis. This classic windswept oceanfront estate has fantastic sunset views over Shinnecock Bay. Designed by Edwina von Gal with Abby Clough Lawless of Farm Design, the property offers a variety of seating areas, gardens and paths that take advantage of grade changes and the micro climates they afford.


    BENEFIT COMMITTEE TICKETS
    Includes Saturday lectures, Sunday garden tours, and Saturday evening cocktail party
    Benefactor: $1,000 each
    Sponsor: $350 each 
    Purchase online

    ASSOCIATE TICKETS
    Includes Saturday lectures and Sunday garden tours
    Non-Member: $225 each
    Member: $175 each 
    Purchase online
     


    Landscape Pleasures 2015 has been made possible, in part, with generous sponsorship from LaGuardia Design Landscape Architecture.

    Photos: Top left, Janice Parker, middle left, Luciano Giubbilei, bottom left, Cole Burrell; right, The garden of Jane and Michael DeFlorio to be featured on the 2015 tour, Photo Jeff Heatly.

    279 Montauk Highway   Water Mill, NY   11976
    T 631-283-2118   F 631-283-7006  
    parrishart.org

     

     

    ARTPOURRI—NEWS

     

    Biennale Scheduled—The 56th Venice Biennale, All the World’s Futures, opens on May 9 thru Nov. 22 at the Giardini and the Arsenale as well as various other venues in Venice, with 53 countries participating.  African artist El Anatsui will receive the Golden Lion for Lifetime Achievement and Susanne Ghez of the U.S. will receive a Special Golden Lion for Services to the Arts

    .

    New Documentary Available — “The Stained Glass Windows at West Point” is a new documentary by Norman Shaifer available on DVD.  A brief history of the images and inspirations is included for all 178 windows of the Cadet Chapel, as well as a documentary on the legendary Willet Studios, commissioned to create the Chapel’s Sanctuary window.  westpointwindows.com.

     

    Exceptional Gift Received — The Art Institute of Chicago has received the largest gift of art in the museum’s history.  The Stefan T. Edlis and Gael Neeson Collection of 42 iconic contemporary works includes those by Warhol, Johns, Rauschenberg, Richter, Lichtenstein, Richter, Twombly and others.

     

    Prize Established — The Nasher Sculpture Center, Dallas, has established a $100,000 award to recognize outstanding contributions to the field.  The Nasher Prize, an annual international award, will be presented to a living artist in recognition of a significant body of work that has had an extraordinary impact on the understanding of the art form.  The inaugural winner will be announced in fall of this year.

     

    Stamp Named — Dr. Cheryl R. Ganz, retired curator of the Smithsonian National Postal Museum, was asked to name the most influential stamp of the past 25 years (of about 2,500 issued).  Based on content, design and production, she chose the Breast Cancer Research semipostal stamp, which came out in 1998.  Illustrator Whitney Sherman came up with a figure that reminded her of the Greek goddess of the hunt, Artemis, whom she rendered using fluid lines and soft tones.  The USPS has sold over 985 million stamps, raising more than $81 million for breast cancer research.

     

    New Web Project — The Dia Art Foundation has announced the launch of a new artist web project, “Poetry as not, with singing,” by Nick Mauss and Ken Okiishi.  Visitors are positioned as poetic generators in which their type is translated into disjointed text and, at times, audible song.  diaart.org/maussokiishi.

     

    Funding Received  — Yaddo, the famed artist retreat in Saratoga Springs, NY, has received a grant of $250,000 for ongoing renovation of the mansion, built in 1893.  Since opening in 1926, the retreat has hosted 6,500 artists, including James Baldwin, Leonard Bernstein, Sylvia Plath and others of renown.

     

    Masterpiece on View — Frederic Edwin Church’s majestic canvas Niagara, 1857, is now on view in the West Building, National Gallery of Art, D.C.  This iconic work was acquired by the Corcoran Gallery of Art in 1876 and has since entered the collection of the NGA as part of a historic arrangement between the two institutions.  The tremendous success of this work both in the U.S. and abroad secured Church’s reputation as the most famous American painter of the time.

    May Observances:  5—Cinco De Mayo; 10—Mother’s Day; 16—Armed Forces Day;  25—Memorial Day

     

     

    ART EXHIBITIONS

     

     

    River Crossings—Opening May 3-Nov. 1, the Thomas Cole National Historic Site (Catskill, NY) and Olana State Historic Site (Hudson, NY) will co-host this landmark exhibition of contemporary art to highlight the pivotal role that the two historic properties played in shaping America’s culture of contemporary art.  Among the 28 artists represented are Romare Bearden, Chuck Close, Maya Lin, Martin Puryear and Cindy Sherman.

     

    Through the Looking Glass:  Daguerreotype Masterworks from the Dawn of Photography, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY—Thru June 14.  A comprehensive collection of 150 daguerreotypes offer an extensive look at this 19th C. medium and include all major genres of the form:  portraiture, landscapes, architectural studies and more.

     

    China:  Through the Looking GlassOpening May 7 thru Aug. 16, The Metropolitan Museum of Art, NYC.  In this collaboration between The Costume Institute and the Dept. of Asian Art, high fashion will be juxtaposed with Chinese costumes, paintings, porcelains and other art, including films, to reveal enchanting reflections of Chinese imagery.

     

     

     ART OPPORTUNITIES

     

    Kingston Sculpture Biennial 2015, Kingston, NY.  Aug. 1—Oct. 31.  Emerging/established artists are invited to show existing sculptures or create site-specific installations in a variety of locations throughout the city.  3-D work in any media, preferably unconventional and thought-provoking, is eligible for consideration.  Deadline:  May 15 http://askforarts.org/biennial.html.

     

    2015 Arts Writers Grant Program funded by The Andy Warhol Foundation for the Visual Arts.  Twenty individual authors whose work addresses contemporary visual art will receive project-based grants ranging from $15,000 to $50,000.  Deadline:  May 21.  Apply online at artswriters.org.

     

    Off the Canvas:  Process & Product, Mill Street Loft, Poughkeepsie, NY.  May 23—June 20.  Art that never makes it to gallery walls will be showcased:  tattoos, costumes, steampunk pieces industrial design, graffiti, graphic design, etc.  Works will be accepted for the length of the exhibition or for the reception only (e.g., motorcycles, custom bikes, etc., at MSL’s discretion). tpoteet@millstreetloft.org

     

    The Big Read-Teen Art Contest—The Grapes of Wrath, sponsored by Poughkeepsie Public Library District.  High school students are invited to submit a poster or photograph that represents a theme from John Steinbeck’s The Grapes of Wrath. All pieces will be displayed in June at the Adriance Memorial Library.  Cash prizes.  Deadline:  May 27.   http://poklib.org/wp-content/uploads/2015/02/BIG-READ-Teen-Art-Contest-Flier.pdf

     

    8th Annual Governors Island Art Fair (NY Harbor), each weekend in Sept., sponsored by 4heads.  100 artists, designers or galleries from around the globe are each awarded an exhibition room in a historic building and, once selected, space is free.  Deadline:  June 1 http://www.4heads.org/apply/

     

     

     

    4th G.O.S.T Open Studio Tour, Gardiner, NY, May 2-  3.  www.GOSTartists.org.

     

    7th Annual Beacon Open Studios, May 16-17.     beaconopenstudios.org;

     

    18th Annual Peekskill Open Studios, June 6-7, 12-5 p.m.  Peekskilartsalliance.org.

     

    37th Annual Museum Mile Festival, NYC, June 9, 6-9 p.m. The Guggenheim hosts live outdoor music and special family-friendly programs, Fifth Ave. between 82nd St. and 105th St.; visit 9 cultural institutions, which are free and open to the public.  museummilefestival.org.

     

    dutchess handmade Pop-Up Show, Arts MidHudson, Poughkeepsie.  Shop local for Mother’s Day, Father’s Day, etc.  4/5 (5:30-7:30 p.m.)—5/16.  845.454.3222.

     

    Dia:Beacon Spring Benefit, Beacon, NY, May 31. Day-long celebration with reception, luncheon, children’s program and preview of Robert Irwin’s Excursus:  Homage to the Square.  Tickets:  212.293.5513  

     

     

     

    http://famsf.us4.list-manage.com/track/click?u=d7a49f337e55b897015517194&id=138bbd5fa5&e=7fc949b0e9

     

    . PRESS RELEASE

    Coming Soon: Botticelli to Braque: Masterpieces from the National Galleries of Scotland

    March 7–May 31, 2015 | de Young | Herbst Exhibition Galleries


    See paintings by many of the greatest artists from the Renaissance to the 20th century—including El Greco, Rembrandt, Vermeer, Degas, Monet, Gauguin, and Picasso—in an exclusive West Coast presentation of 55 works from the National Galleries of Scotland, one of the world's premier art collections. Also featured are British artists Sir Joshua Reynolds and Thomas Gainsborough, icon of the Scottish school Sir Henry Raeburn, and Americans Frederic Edwin Church and John Singer Sargent.

    This rare presentation continues the Fine Arts Museums’ tradition of presenting works from acclaimed museums around the world. Learn more

    See the exhibition before it opens to the public, and enjoy free admission to all special exhibitions as a FAMSF Member. Join today!

     
     

     

     

     

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    General's Art Press

     

     

     

    ART in Beacon NY

     

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    AIRbrush Talk.com

     

     

    Basic Airbrush Techniques

     

    Workshop

    with

    Robert Paschal, MFA

    Basic Airbrush Workshop—Beacon, NY   Learn the fundamentals of airbrush technique in a concise 3-hour hands-on class, designed for the novice who wishes to paint fine art, crafts, signs, customized autos/bikes/snowboards and myriad other objects.  Seating is limited.  All equipment/materials are provided. 845.831.1043; arttalk.com/workshop/workshop.htm 

     

     

             

    Cabin Rental

    Camp Cōkaboodie in the Adirondacks Mts. Jerry Savarie Road (off Big Brook Road) Indian Lake, NY       We are located on Lake Abanakee with beautiful views and sunsets!

     

     

     

     
     

     

     

     

     

    Airbrush

    Airbrush History Trivia

    —Abner Peeler, of Webster City, IA, invented the airbrush in 1878.  Imagine, over 130 years ago!  Abner, a professional inventor who tinkered with things such as screw machines, bicycles and typewriters, developed this painting tool—originally called a “paint distributor”—specifically for photographic retouching.  The paint distributor, which was similar to today’s oscillating internal-mix airbrush, had a wooden handle with metal parts and sold for the incredible price of $10.  The first such airbrush was sold to S. M. Thomas, and we know that the first painting completed with this paint distributor was a self-portrait of Peeler himself done by his wife on an enlarged photograph.

    The painter Man Ray (1890-1977) is probably the first fine artist to exhibit paintings done exclusively with the airbrush.  Ray, considered the only American Dadaist, learned to use the airbrush while working in an ad agency in New York City between 1917 and 1919.  His fine art airbrush renderings were shown in NYC galleries and called “aerographs.?nbsp; Looking at them with today’s standards of what we consider airbrush painting, these works of art would be considered simplistic—but at that time, totally new.  They consisted of images developed by airbrushing around found objects, such as paper cutouts, tools and paper clips that were used simply as stencils.  Man Ray worked flat on a table, allowing gravity to hold the stencils in place, and sprayed around them with black ink.  He repeated these images in both opaque and transparent ink and the end products lent themselves to the look of cubism

    .It is said that Man Ray was primarily interested in producing paintings with a smooth machine-like finish.  And because the ink was airbrushed onto the surface, there were no brush strokes in the artwork, which imparted an industrial appearance.  An excellent collection of his works is held by and exhibited at The Art Institute of Chicago; and even viewed today, their simplicity is astoundingly modern.

     

    Artist Profile

    Pablo Ruiz Picasso 1881 - 1972

    There is much that could be written about Pablo Picasso, arguably the greatest artist of the His influence on several generations of artists and his recognition as the founder of many art periods, most famously that of cubism, attests to his immersion in creativity. For 80 years of the 91 he lived, he devoted himself to an artistic production that contributed to development of modern art of the 20th century. And, all the while, Picasso was a man who loved women. During his life he had affairs, lived with or married over six women and fathered four children. He abhorred being alone when he was not working.

    Aside from the tumultuous personal life, Picasso was devoted to his art. During his early years he abandoned most of the classical training given him by his father and first instructor for his own interpretation of the world around him. Five “periods?are recognized as brought to life by Picasso.

    Most have heard of his Blue Period that lasted from 1901 to 1904 in which somber, blue tinted paintings prevailed. These were influenced by the loss of a friend. Images of this period include depictions of acrobats, prostitutes, beggars and artists.

    His Rose Period (1905 to 1907) brought out paintings with overall tones of orange and pink, many involving images of harlequins. During this period he was seriously romantically involved and the warmth of the relationship is seen in his palette of colors.

    Soon after the Rose Period came an African Period (1907 to 1909) that was influenced by artifacts from his personal collection. Many paintings of this period repeat the use of two figures.

    Cubism, the style for which Picasso is most famous, came into being when he and his friend and painter Braque challenged each other to dissect and “analyze?objects, then paint them in terms of their shapes. Color played a large part in this period of work ?monochromatic browns and shadow tones prevailed as a common thread. Each artist developed the style in his own way and each had strong similarities.

    His Cubist Period ran from 1909 to 1919, and included the use of collage as a fine art form. Heretofore, no artist had used collage and cut paper to convey images. Imagine art without collage?

    Picasso had many artist friends and some rivals. Matisse was one of the “gentle?rivalries experienced in Picasso’s lifetime. Both were strong, talented and seemed to challenge one another. A recent collection of works by both artists reveals they had a lot in common, although their styles were personal and not derivative. The bold, outlined and highly decorative nature of both artists' works is without question.

    Historically, a lot happened during the 90+ years Picasso lived, but he remained detached from any personal commitment. He was a proclaimed pacifist, refusing to fight for any side in the Spanish American War, World War I or World War II. If was thought by many of his contemporaries that his dislike of war and his unwillingness to fight was less political and more cowardice. Being Spanish but living in France during these conflicts, he escaped involvement and thus proclaimed and solidified his pacifistic standing. He did, however, remain a member of the Communist Party until his death.

    At the time of his death, Picasso had enjoyed wide acceptance as the greatest artist of his time. Many of his works were recognized within his lifetime. Some include The Old Guitarist from Picasso’s Blue Period, on display at the Museum of Modern Art; Las Meninas Series, on display at the Picasso Museum in Barcelona, Spain; and Guernica, in Madrid, Spain.

    “My mother said to me, ‘If you are a soldier, you will become a general. If you are a monk, you will become the Pope.? Instead, I was a painter, and became Picasso.?- Pablo Ruiz Picasso. Last words: “Drink to me.?/td>

     

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    Painting How To

    Painting on a Grand Scale

    When artists gravitate towards large scale works, they face some interesting challenges along with the actual creative process. How art is created ?on a grand scale ?is different from small artworks. Every aspect of the act of mural painting and other large scale artwork has considerations that make it fun and stimulating - well worth those deliberations.

    From the very ground onto which the artist places sketch lines, brushes of paint and blended colors, large scale nudges the artist into new realms of production. In order to paint large scale, the preferred ground ?canvas of some sort ?must be acquired in an appropriate size. The content of the canvas and its weight are both vital considerations when the painted surface is gigantic.

    Widths/lengths and fiber content of canvas-type grounds vary greatly, but there are sizes as large as 12 feet wide. More commonly, large scale works are completed on canvas of 60? 72? or 84?widths. Roll length purchases are necessary and can vary by manufacturer ?from 6 feet to 25 yards.

    But, after width and length, the fiber content may be the single most important element of the painting. As you would expect, there is cotton fiber in a variety of weights, but there is also linen, jute, cotton/linen blends polyester (all synthetic) and cotton/poly blends and all can be found primed and unprimed. The weight and texture of the canvas will have an important bearing on the finished artwork, and most artists match their style with the texture and surface of their ground. Choices abound!

    Rather than traditionally sized tubes of paint, most muralists/large scale painters use jars, tubs ?even gallons of artists?colors. Most manufacturers of paint offer a wide selection in larger quantities. Selection of textures in those containers is also sometimes available. Thicker paint means more pigment for application and working into large spaces.

    Application tools include brushes for sure, but those used are much larger in size. Consider when doing any work—if the scale were huge, you would want to use larger brushes. And, additionally, rollers (like those used for wall painting) and trowels are also used in larger scale works ?tools that would be difficult to use small scale become a necessity for bigger works. Trowels, scrapers, and tools not often associated with “painterly?applications are used by muralists and accomplish the job they want. Painting pads and hand “mops?for decorative surfacing of walls can come in very handy on larger scale artworks.

    Easels play a big part in big works. Studio easels in both wood and metal often accept works as large as 5-8 feet tall. They help hold the work at the proper level ?that at which it will be viewed ?so the artist is always aware of the scope, perspective and dynamics of his/her work. Some artists who do large scale work cover a wall with plywood and then staple or tack their canvas to that surface at the proper level for work and viewing. Easels and wall attachments ?whatever they might be ?help artists by allowing them to step back and take in the “big picture.?For large stretched canvas, wall mounted easels are great. They can accommodate works of around 100 inches in height. They are sturdy, help hold the stretched canvas firmly and adjust to all points up to around 100 inches.

    And lastly some artists employ the use of airbrush to do a lot of the design layout and fill-in on large works. Texturing with an airbrush can be accomplished by painting through screening, metal mesh, decorative pierced metal sheeting and many more items. Airbrush gives the type of color gradation almost impossible to achieve in any other way. Mists of tone-on-tone and the softness achieved is a huge asset to some muralists.

    In review, large scale artworks bring new thought processes to ponder and hurdles to overcome.  But, isn’t that what contributes to making art so enjoyable and rewarding—to accept the intellectual stimulation of such works and to succeed.

     

     

     

    Printmaking

    Printmaking Techniques & Materials

    No matter the level of your involvement with printmaking, it is sure to be exciting. In some techniques, duplication of results is nearly impossible, which seems a bit contradictory to the basic term: printmaking. Let’s take, for our first example, the most direct and simple of prints…monoprints. -->

    A monoprint (mono meaning one) is created by applying ink or paint to a hard flat surface (plate), pressing paper against the plate and lifting the paper from the plate. The resulting print is one-of-a-kind, since ink or paint would be nearly impossible to set in the same place time after time. Simple doesn’t mean uninteresting, and this is a great technique for any artist.

    Collagraph, a very simple form of printmaking, is a print created from a plate (Masonite, mat board, chip board, etc.) that has natural and/or found objects with texture glued to it. The surface of the plate is sealed and, when dry, is inked on the textured plate, excess removed and a paper placed on top. Downward pressure (using a press or hand roller) presses the paper and ink together and the images are transferred (in reverse) to the paper. Again, the simplicity of collagraph prints makes them easy for everyone to try. Many, but not unlimited, prints can be made from a master collagraph plate.

    Wood block (woodcut) printing advances in difficulty because the artist uses special gouges and carving tools to create a dimensional image in a wood block. The high surfaces of the wood block are inked, paper is pressed against the inked areas and the resulting image is a woodblock print. Surfaces other than wood can be used; linoleum, wax, and rubber are a few that are a bit easier to carve. Early wood block designs were used for fabric embellishment and those blocks endure as collectables.

    Reduction prints are created with care by print artists who desire more color and texture in their work. Each color is printed individually on the ever-decreasing wood block. Working from back to front colorwise, the artist reduces the wood block with every color, printing that part of the plate that will reflect a specific color, and then removing more mass to print the next color. When finished, the only areas that remain on the block are those representing the very last color.

    Drypoint etching is more involved because it starts with a metal plate. The plate is scribed (scratched) by the artist to record a subject. Ink is rubbed into the slight toothy grooves created by the scribing. Paper is then put on the plate, pressed and the resulting print is pulled away from the plate. For all but the tiniest of printed images, a printing press is invaluable in the process. Strong definition and evenness is difficult with hand pressing methods. Many prints can be made from the original plate. Etching can be taken yet another step by using acid to enlarge and remove areas of the metal surface.

    Intaglio prints are made from a metal base into which designs have been created. This is often done with harsh chemicals, the metal dissolving where there are scribed or etched lines that have been made through a protective covering. Because of the chemical contact (acids), this level of printmaking is considered advanced and should be done under supervision and instruction. Many prints can be made from the original plate. Ink is rubbed into the low areas, paper is pressed to the surface and a print is created.

    Finally, following is a simple explanation of some terms associated with printmaking:

    brayer - a hard rubber roller on a handle used to transfer ink to the plate.

    plate ?a surface on which an image is formed, usually metal.

    baren - a circular padded tool used to rub against the back of paper to obtain an image from a master.

    hard ground -an acid-resistant material applied to an etching plate through which you scribe to create a design.

    mordant - an acid or other corrosive substance used to “bite?into a metal plate to create an image on that plate.

    gouge ?a V- or U-shaped tool for cutting a wood or linoleum block.

     

     

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